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1432), namely Nicholas Blackburn of Richmond, senior, freeman, 1396. Reginald Bawtre ( foregoing) bequeathed £5 in 1429 (Shaw, 90). In lowest range: arms of (1) John Alcock (1430–1500), bishop of Ely; (2) France Modern and England quarterly, mutilated and remodelled; (3) Beauchamp. All of plain glass in 1730 (Gent, 163); by 1877, when releaded, containing heraldry from E. The 'new chancel' mentioned in wills of 14 (Raine, 227–8) may have had relevance to the serious decay noted in 1446 when the priory was exempted from taxation on the grounds of poverty ( Pastoral duties presumably formed part of the pre-Conquest church of Christ Church and these would normally have passed to the priory, the laity enjoying certain rights in the nave of the new church. 1225 speaks of the 'parochia sancte Trinitatis' (PRO, E.135/25/1), the designation used in the taxations of 13.

Present arrangement of 1846 or earlier, when presumably canopies were changed for height; restored by J. Glass releaded 1877; after exchanges, figures restored to original positions during cleaning and releading 1966. In middle range: (4), (6) roundels; (5) arms perhaps of Percy, inserted 1966 (in E. In 1304 Gilbert de Gaudibus, priest, was inducted to the vicarage of the altar of St. A chantry founded by Thomas Nelson at the same altar in 1474 is stated to be in Holy Trinity Priory (Drake, 264). Nicholas as adjoining ('iuxta') or annexed to the priory. Nicholas had permission to set up their steeple upon the gable on the N.

side of North Street; it is built partly of rubble, partly of magnesian limestone ashlar, and has roofs of modern tile. The original church was a simple rectangular cell, a local type found in the late 11th century, to which a S. In the 13th century it was enlarged as a cruciform building with aisleless . Thomas the Martyr, a chantry which was licensed in 1410 (, 162). aisle by the third window from the E., which had a figure of St. An inventory made in 1409/10, after the death of Hugh Grantham, mason, records that he owed John Ebirston 6. Grantham was also owed £4 by John Thornton and William Pontefract; this may connect John Thornton with glass that would on stylistic grounds be associated with him. Further work was carried out in 1884 and in 1907–8. The fourth and fifth arches are two-centred, of two chamfered orders, the fifth arch being higher than the fourth. The contemporary sixth arch is higher than those to the E., of two chamfered orders and with very large voussoirs which bond into the pier of the tower. The second pier has a moulded base set on an older plinth; it has finer detail than the first. The piers have masons' marks that associate them with the first pier on the N. The third pier resembles that opposite and is probably of the 14th century; the plinth is set awkwardly on a larger and older one. aisle, (2) of fielded panels with two drawers, 18th-century, inscribed 'The Gift of Lawrence and Elsie Dunphy 1951'; in St. aisle, (2) small octagonal font fitted with modern drain, found on site of Beech House on The Mount. , in vestry, wooden plaque with arms of York and seven ovals containing names and dates: 1772 Charles Turner; 1773 Henry Jubb; 18 William Hotham; 18 George Peacock; 1816 John Dales. crossing pier, (1) Thomas Condon, 1759, and Maria, grand-daughter, daughter of Charles Mellish, wife of 14th Lord Semphill, 1806, with impaling arms of Condon. Stead, York; (12) Elizabeth, wife of John Steward, merchant, 1847, John Steward, 1855, tapered white marble slab with moulded cornice and base, signed Skelton; (13) William Crumack, 1847, Martha, wife, 1854, white marble monument, signed Skelton; (14) Mary Swinburne, widow of Sir John Swinburne Bart. This church of 1872–4, built as a chapel-of-ease to St. The church has walls of gritstone and magnesian limestone, and modern dressings of Whitby sandstone, tiled roofs with some slate over the central and S.

In 1410 Adam del Bank, dyer, founded a chantry at the altar of St. Both have claw tooling of Early English character and of the early 13th century contemporary with the pier. end of the fourth arch indicate a 14th-century modification; the fifth arch was modified at the W. The third arch is higher than those to the E.; it has very slight chamfers, stopped to the piers, of one square order and is probably of the 14th century. Nicholas Chapel, (3) small, with sides narrowing to base and with rounded lid, covered with leather and with enriched metal straps, 16th to 17th-century. side of porch, (2) with foliated cross, 13th-century, found in nave 1902–5; on E. Nicholas Chapel, (3) upper part of coped slab bearing on one side a sword and on other a hafted cross and beginning of inscription 'H(i)c iace [t]', late 13th-century; in S. aisle, (4) part only, inscribed in black letter 'Hic iacet Walterus fflos'. doorway, of one leaf with central wicket, externally with mouldings in window form of six lights with rectilinear tracery, 15th-century, extensively renewed, rediscovered 1902–5 (Plate 15). end of nave, (1) large octagonal bowl, perhaps 18th-century, set on modern shaft with cap, and 15th-century base, brought from St. Font cover (Plate 28), top inscribed 'Anno Domini 1717 Richard Booth William Atkinson Church Wardens', on base 'Anno Domini 1794 Francis Hunt and Marmaduke Buckle Church Wardens', brought from St. of Capheaton, Northumberland, 1761 (Plate 34); (15) Joshua Ingham, late of Stillingfleet House, East Riding, 1836, Elizabeth, widow, 1848, simple marble monument, signed Skelton; (16) Joshua Crompton, of Esholt Hall and Micklegate, third son of Samuel Crompton, of Derby, 1832, his wife Anna Maria, daughter and co-heiress of Anne Stansfield of Esholt Hall who married William Rookes, 1819, oblong white marble tablet with moulded cornice and draped urn, against black marble shaped slab, signed M. Near path to church from Micklegate, stocks, of two large planks with five holes, post-mediaeval. Mary Bishophill Senior, became the parish church in 1876.

: three; (1) with straight back with two shaped and carved horizontal members, turned front legs and rail, 17th-century; (2) similar but broader and heavier, probably reproduction; (3) (Plate 44), early 18th-century. chancel aisle, (1) freestone, tapered, with incised cross, 14th-century (perhaps of Margaret Etton (1391) or William Meburn (1394), both of whom wished to be buried before altar of Blessed Virgin Mary. In porch, (5) top of small freestone lid with foliated cross; (6) part of lid with large foliated cross in relief in round recess; (7) complete lid with simple cross, hatchet by cross shaft; (8) part of decayed lid with foliated cross; (9) upper part of lid with simple foliated cross; (10) lid with two crosses, bow and arrow under one and sword under other. of church, (17) stone coffin, tapered and with shaping for head, lidless; all 13th or 14th-century. Middle range: (iv) Domination bearing sword leading emperor, king and pope, inscribed above 'D(omi)nac(i)ones humilit(er)d(omi)nant[es et b]enigne castiga(ntes)'; (v) Principality bearing cross and sceptre, leading noblemen and bishop, inscribed above '[Principatus] bonis succure(n)tes p[ro in] ferio[ribus o]r[dinantes]'; (vi) Power, in plate armour and holding staff bearing banner of the sun, leading group of clergy(? 96) (Plate 101) and still recognizable in 1730 (Gent, 163). In 1965 the glass was releaded and restored according to Johnston's drawing. Gregory (Plate 105); the saint, shown as archbishop with nimbus, holds the Host and adores the half-length figure of Christ emerging from the tomb, on missal quotation from Canon 'Simili modo p(os)tquam cenatum est accipiens et hunc p(re)clarum' and on scroll proceeding from head of Christ 'Accipe hoc care me(us) p(ro) qui(bus)cu(mqu)e pecieris impetrabis'. aisle: (1) in fine white limestone, head and shoulders of woman (Plate 39) with traces of blue paint on undergarment and red on outer garment, perhaps 15th-century; (2) Nottingham alabaster carving of Resurrection (Plate 39) with traces of gilding and red paint, 15th-century, set in 19th-century wooden frame; (3) priest pouring wine into chalice, carved oak figure with traces of colour, probably mediaeval, face decayed; (4) King David (Plate 42), carved in soft wood, heavily stained, possibly from 18th-century reredos; (5) St. ), figure of woman with sword through throat, much restored. aisle long panel with square panel above, both with moulded frames and, at top, third square panel with round pediment, with two maces in saltire and 'G. Minster Library)); (15) Richard de Killingholme and Joan, Margaret his wives (his will proved 11 June 1451 (Wills, vol. 223), black-letter inscription, now mostly indecipherable, 'Orate pro animabus Ricardi Killingholme et Johanne et Margarite uxorum eius' (Shaw, 47); (16) Sarah Grainger, 1825, William, husband, 1830; (17) Elizabeth Harrison, 1772, Alexander and Richard, sons; (18) Susannah Clarke, 1788, Sarah Clarke, 1792; (19) Ann Harrison, relict of James, 1792; (20) Elizabeth Harrison, 1762, James Harrison, 1771.

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The chancel roof timbers are heavier than those of the aisles and in general the carvings in the N. & Isabelle vxoris eoru(n)dem quor(um)a(n)i(m)ab(us) propicietur deus Amen' (William Stockton, Lord Mayor 1446, d. arcade (Plate 120) is semi-octagonal, with moulded cap and base like those of the nave piers; the white magnesian limestone contrasts with the older work in buff limestone. The clerestory, visible above the roof, has three arches with two-centred heads and chamfered reveals, the central arch opening to a window, the other two arches blind. side of the nave probably formed part of the construction of the room over the N.

side suggests that the arch is earlier than the pier of the tower. 1340 has three ogee-headed trefoiled lights and reticulated tracery. wall had the head cut off, presumably when the present 15th-century roof replaced an earlier one running N. Much of the walling is restored but the masonry with large blocks at the base and a chamfered plinth is original, of the 15th century. of the fifth bay is a 15th-century three-stage buttress with oversailing plinth. wall of the 14th century incorporating some very large blocks of magnesian limestone at the base. window has three trefoiled lights and reticulated tracery. Much mediaeval stone, including many coffin lids, was used in the rebuild. All three were probably associated with the cell of the anchoress mentioned in 1430. square) (Plate 11) is of three stages surmounted by a spire, in all 120 ft. The two-centred tower arch of two chamfered orders springs without capitals from two octagonal piers (Plate 95). sides the inner orders form responds with square bases and bold stops. The second stage is octagonal with weathered angles and a two-light window of 15th-century type in each of the cardinal faces. doorway (Plate 15), on the site of an original opening, incorporates some old features reset. The window head has an inner chamfered order, which is continuous, and an outer order chamfered and supported on round shafts with moulded caps and bases similar to those of the N. The aisle wall has an external chamfered plinth and a string course below the lancet. wall a straight joint indicates the corner of the original pilaster buttress.

The sixth bay is of ashlar in small blocks with a two-centred doorway, probably inserted as there is brick on either side. A modern porch and vestry mask the sixth and seventh bays. The third stage, also octagonal, has a tall two-light transomed window in each cardinal face. The two-centred head has a label with carved stops and is of three orders of which the innermost is original. by 12½ ft.) (Plate 118), is contained in the western bay of the N. The wall, which is of good ashlar up to the sloping line representing the former aisle roof, has a chamfered plinth and a double-chamfered string at sill level.

The fourth pier, of the late 12th century, has a square abacus, hollow-chamfered on the lower edge and swept inwards to a round necking; the whole is one piece of gritstone. Taylor; (17) Elizabeth, daughter of George Ann, 1760 (Plate 34); (18) Thomas Swann, 1832, Harriet Ann, first wife, daughter of Thomas Clark of Ellinthorp, 1812, Anne Swann, second wife, widow of Joseph Bilton, 1831; (19) Elizabeth Scarisbrick, 1797, half-round white marble tablet with border panel of brown marble set on black marble beneath enriched cornice, pediment and urn, bearing lozenge-of-arms of Scarisbrick, signed Thos. (all of limestone): (1) Frances Olive, widow of Stephen Walter Tempest of Broughton Hall, nr. In porch, two oak bosses said to have come from St.

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The top course and the three lowest courses are of brown gritstone with haphazard tooling; the other courses are of magnesian limestone finely axed. Atkinson (Plate 34); (20) John Greene of Horsford, 1728, cartouche with arms of Greene. of main path, (21) Robert Wood, 1780, William, son, 1785; (22) Luke Graves, builder, 1792, Susannah, wife, 1826; (23) Henry Cassons, 1781, Ann, wife, 1803, Ann Ombler, granddaughter to Ann Casson, 1786; N. W., (24) Elianor, wife of George Waud, 1784, George Waud, 21 years Clerk of Parish, 1799; to E. Skipton in Craven, 1795; (2) Jane, widow of Thomas Yorke of Halton Place, West Riding, 1810, Margaret Anne, daughter, 1847; (3) John Allanson, twice Lord Mayor, 1783, Elizabeth, wife, 1766; (4) [Jonathan Benson, chamberlain, 1725], William, son, [1741], [Mary, daughter, 1739], Ann, wife, 1746, and others; (5) William Green, 1764, wife, 1770; (6) Kezia Raper, 1797, John Horner, wine merchant, 1791, Jane Raper, widow of Leonard Raper, of Kirkby Malzeard, Yorks., aunt to John Horner, 1792, Mary, wife of John Green, fourth daughter of Jane Raper, 1802, Ann Horner, 1818; (7) Walter Richmond, merchant, Kingston, Jamaica, 1803, Jane Richmond, wife, 1808, Ann, daughter, 1798.

The hammer beams are carved as figures of angels (Plate 43). The piers have twin half-shafts to the transept arches; the original bases had small spurs at the angles. arch of the crossing and semi-octagonal responds to the nave arcades. This last runs into the straight face of the opening from the S. Some stones just above the level of the pavement may belong to the footings of the early aisleless church. by 27 ft.) is of five bays, with heavy Transitional arcades, octagonal piers and two-centred arches of three chamfered orders. respond leans outwards, but is coursed through into the W. The only part of the nave standing to its original height is the westernmost bay on the N. Here the triforium of the early 13th century shows within the church, having an arcade of three blind lancets with chamfered heads and round shafts with moulded caps and bases (Plate 118). wall has battlements of post-Dissolution date above a string, and at the E.

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